This Drifting Excrement Was Way Too Symbolic! It's the TV Letdowns of the Year.

Looking back, we reflect on the television landscape of the past year, a selection of series stand out not for their excellence, but for their spectacular failures. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the third series began, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the last season. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was just way too on-the-nose. Yet, viewers certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this drama's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to begin listing the flaws. The laughably leaden writing? The mind-numbing veneration of wealth and materialism? The almost deliberate parade of cliches? Performances so poor they felt borderline malicious? Suffice it to say “all of the above” and forget about this show again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to suffer close contact with this charming but dismissive egotist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy figures convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain performatively angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as deliberate statements. But then you view them and are compelled to concede that actually, they might have a point. It’s like watching a homeware catalogue come to life; a meme for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this documentary series chose not to say them. Rather, the viewing was akin to reading a sales brochure. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart inclusion of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lumbering from strangely breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This international thriller about government agencies targeting – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality renowned for explicit exploits as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son away from the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Russell Morales
Russell Morales

Elena Vance is a financial analyst with over 15 years of experience in investment banking and wealth management, specializing in portfolio optimization.